Mini wedding photography guide

This actionable mini wedding photography guide provides a step-by-step approach to photographing a wedding from preparation to final gallery delivery.

I. Preparation and Equipment Strategy

  • Minimalist Setup: Aim for a “one-bag” solution, such as a messenger bag, to maintain mobility throughout the day.
  • Dual Camera System: Use two identical camera bodies with dual card slots set to “Backup” mode.
  • Lens Selection:

    • Versatile Zoom: A 24-70mm ensures you capture all moments without being physically limited by a fixed focal length.
    • Low Light/Primes: A 50mm f/1.4 is ideal for shallow depth of field to isolate subjects in messy rooms.

  • Technical Baselines:

    • White Balance: Set to Shade to maintain warm, consistent skin tones even in varying light.
    • Shutter Speed: Never go slower than your focal length (e.g., at least 1/50s for a 50mm lens).
    • Media: Use reputable V60 cards; while slower than V90s, they are sufficient for weddings and help speed up home download times.

II. Morning Prep and Detail Shots

  • Arrive Early: Show up at least one hour early to scout lighting and gauge the couple’s mood.
  • Detail Mastery:
    • Set up flat lays near windows for natural light.
    • Carry an aesthetic wooden or metal hanger to replace ugly plastic ones for dress shots.
    • Turn off overhead tungsten lights to avoid muddy skin tones.
  • Groom Prep:
    • Ensure parents and the best man are fully dressed before the groom starts so they look professional in the background.
    • Advise the groom not to put on decorative socks until the photo, as worn socks look stretched in flat lays.
  • Directing Action: Act as a “fly on the wall,” but don’t hesitate to ask for a natural repetition if you miss a great moment.

III. The First Look and Portraits

  • First Look Logistics: Choose a location with good lighting where the person turning around is rotating into the light.
  • Wedding Party Efficiency:
    • Aim to complete these in 15–20 minutes to get the couple to their cocktail hour quickly.
    • Prioritise the “boring” essential: a clean, centered, full-length shot of the couple and party smiling at the camera.
    • The “Belly Button” Rule: Have bridesmaids hold bouquets at belly-button height to avoid blocking faces.
  • Couple Portraits:
    • Use movement, like walking shots, to break stiffness for couples who haven’t had an engagement session.
    • Capture the “In-Between” moments: Often the best photos occur while they are getting into a pose or right after you say “done.”

IV. The Ceremony

  • The Invisible Approach: Use a telephoto zoom (like the 35-150mm) to stay physically removed so you don’t block the view of parents or guests.
  • LCD Awareness: Use the LCD screen rather than the viewfinder to maintain peripheral vision for guest reactions behind you.
  • Key Moments:
    • Processional: Start at the center of the aisle for symmetrical shots, then move to the side as they approach.
    • Entrance: Quickly scan for emotional family members in the pews for “safe” secondary shots.
    • Recessional: Switch to a wide lens (16mm or 23mm) and walk backward with the couple as they exit.
  • Prioritise VIPs: Identify the front-row guests and prioritise their reactions throughout the gallery.

V. Reception and Dancing

  • Intros and Speeches:
    • Use a wide lens for unpredictable bridal party entrances.
    • For speeches, prioritize the couple’s reactions over the speaker; capture the hug that almost always follows the speech.
  • Dance Floor Strategy:
    • Slow Dances: Use a 50mm or 85mm to maintain distance.
    • High Energy: Switch to a 24mm or wider and get on the floor with the guests to make them comfortable.
  • Lighting: Use manual flash at low power (1/32 or 1/16) for consistent exposure and faster recycle times.
  • The “Blue Hour” Session: Time your outdoor couple portraits for the ambient blue glow shortly after sunset.

VI. Post-Wedding and Delivery

  • On-Site Backup: Use the dinner break to download cards and verify data.
  • Customer Service: Provide 3-5 “sneak peek” edits the day after the wedding if you can.
  • Gallery Organisation: Deliver approximately 500 images categorised by the day’s events (e.g., “Groom Prep,” “Ceremony”) using a professional platform like Pixieset.
  • The Exit: Never pack your kit before saying goodbye; couples often want one last group shot on the dance floor as you leave. Have at least one camera on you at all times.
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